The Coinbase Ventures Guide to NFTs
Around the Block from Coinbase Ventures sheds light on key trends in crypto. In this edition, Justin Mart, Connor Dempsey, and Ejaaz Ahamadeen lay out what's behind the growth of NFT markets.

In 2020, a little over $200 million in NFTs changed hands. This February saw more volume than the entire year prior, with $340 million in sales. Then August blew every record away, with over $4 billion in total NFT volume on top marketplaces. When you factor in platforms outside Ethereum, some estimates show secondary sales alone in Q3 surpassing $10 billion.
Simply put, the exponential growth of NFT markets represent the largest shift within the crypto landscape in years.
At this point, most people are familiar with non-fungible tokens (“NFTs”): unique digital assets representing different forms of media that are tradable over internet marketplaces spanning art, gaming, sports memorabilia, music, and more.
In this edition of Around The Block, we’ll provide a broad overview of what appears to be driving growth within the NFT landscape and what the future may hold for this technology.
NFT art
While NFTs reach far beyond the art world, art is still the category-defining NFT market responsible for much of the volume represented in the above chart. In many ways, the crypto art market mirrors that of traditional art. On the demand side, there are a mix of small and large collectors. On the supply side, there are renowned artists like Beeple, whose works sell for millions, as well as thousands of up and coming artists like Metsa (Maxwell Prendergast) whose work (pictured below) sell from anywhere between $100 and $10,000.

Radiant Depths — Maxwell Prendergast @madebymetsa
Thousands of artists like Maxwell are gravitating to NFT art because it’s proving to be more equitable for creators than the traditional market. Thanks to the internet and social media, digital artists can have their work reach millions with just a few clicks. And now, thanks to smart contracts underlying NFTs, artists can be automatically compensated every time their work is resold. Compared to traditional art markets where artists often aren’t appreciated until well after their lifetime and where most of the value accrues to wealthy collectors from secondary sales, the appeal of the digital art market for the creators is clear.
But why pay to own a piece of digital art, especially when the very nature of it being digital allows it to be replicated infinite times? In fact, we showcased Maxwell’s work above by simply cutting and pasting in a file without even paying him for it. The answer comes down to actual ownership. When someone buys NFT art, they’re not paying for a digital image but rather a socially-recognized record of ownership of the image registered on a blockchain like Ethereum. So while we can paste Maxwell’s work in this article, we don’t own the NFT tied to the work and therefore have nothing to sell.
As it turns out, many people value owning digitally scarce works just as much as others value owning physical ones. While digital ownership doesn’t come with any unique legal protections, it can be programmatically verified, allowing platforms to enforce rules where only the owner can use an image for certain purposes (like in a Twitter profile, for example). This programmatic recognition of ownership is key to the baseline utility and value behind NFTs.
Generative art
The rise in popularity of NFT art has in large part been fueled by a sector known as generative art, with the demand for it coming primarily from crypto native investors. Generative art is defined as art created via the use of an autonomous system. A prime example of generative art is CryptoPunks, which is also arguably the first significant NFT art collection.
The CryptoPunk collection consists of 10,000 unique characters generated algorithmically through computer code created by a studio called Larva Labs. They built their program to randomly spit out pixelated characters each with varying traits — different hair, hats, etc. The program also generated three special types: 88 Zombies, 24 apes, and 9 aliens. After running the algorithm, this randomly generated assortment of characters were linked to Ethereum smart contracts and became traded and valued in part based on their rarity. One of the 9 alien punks with a unique mask and beanie, dubbed “Covid Alien”, recently fetched $11.75 million at auction.
Art Blocks is a popular platform for generative art. Rather than creating and selling individual pieces, ArtBlocks allows artists to create algorithms that produce works of art before allowing collectors to “mint” a limited number of pieces. This is a novel process for creating and distributing art where both the buyer and the artist don’t even know what the algorithm will produce before the piece is minted.
On ArtBlocks, a collection titled “Fidenza” by artist Tyler Hobbs is currently among the most valuable. Hobbs uses a flow field algorithm to produce unpredictable non-overlapping curves that are randomly colorized. This method produces digital works of art that have sold for as much as $3.5 million and look like something you’d see at the MOMA.

Crypto culture & NFT art
But why are some pixelated characters or colorful non-overlapping waves selling for millions, while other similar pieces of NFT art sell for significantly less? The answer is tied to the unique culture that has developed around crypto and NFT markets.
CryptoPunks and Fidenzas, for example, each have historical significance for the crypto community. CryptoPunks are credited with helping create the ERC-721 token standard that is the foundation of the entire NFT market. Fidenzas were the first well-executed and visually-appealing collection of on-chain generative NFTs.
In this light, the asking price for these works makes more sense given their cultural significance for investors in crypto, which has been among the best performing asset classes of the last decade. For a growing subculture of crypto-native users, these rare NFTs serve as a status symbol, akin to a traditional collector owning a Picasso or a Rembrandt. Instead of being displayed in one’s home, they’re displayed prominently in online communities and on social media platforms like Twitter and Discord.
